About

Two part­ners enter into a dia­lo­gue with each other, a dia­lo­gue wit­hout words: They share ideas about music and mood by moving in a dance that is unri­val­led in its variety and infi­nite creativity.

Like many others I dis­co­vered Tango Argen­tino having danced ball­room and Latin-American dan­ces for some time. Gro­wing up in Neu­zelle, a two-hour train ride away from Ber­lin, I made it to Ber­lin as often as I could to take tango les­sons and prac­tised at home for hours on end. Still stu­dy­ing for my a-levels I had enough lei­sure time to… Having finis­hed my voca­tio­nal trai­ning two years later, I even­tually moved to Ber­lin to indulge in the pas­sion that had held its grip on me for such a long time, and to pass on what I had learnt. In 2011 I have lived and danced in Ber­lin for three years. During that time I could broa­den my skills and deepen my know­ledge alt­hough the more I learn about tango and its history the less I seem to know ;-) . I have kept on dancing for 11 years for as one of my early stu­dents remar­ked ‘When we dance, we express our zest for life’Essentially.

Tango is com­mu­ni­ca­tion: When teaching I focus on crea­ting and exten­ding a mutual under­stan­ding of the part­ners. I do not show step pat­terns or sequen­ces but ele­ments that can be com­bi­ned in any order and varied fre­ely. Move­ment qua­lity is ano­ther inte­gral part of every les­son as it pro­vi­des young dan­cers and those young at heart with the means to enjoy dancing as long as they wish. Finally, under­stan­ding and get­ting a feel for the music is key to inter­pre­ting tango, milonga, vals and modern pie­ces on the dancefloor.

If you would like to learn more, write to me at oliver.wielinski(AT)gmx.de or sim­ply drop in at one of my cour­ses or workshops.


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